All posts tagged with 'sociology'
Unsportsmanlike Conduct: New Perspectives in Sports
1:30 p.m., Saturday, April 16, room 715 | Faculty respondent: Jaeho Kang
A Weekend in the Life: Narrative Identity
As a sociological and media phenomenon, sport, particularly soccer is a central issue in many current debates around modernization and globalization. This research paper takes a narrowly scaled approach to analyze forms of identity creation and social cohesion through the lens of international soccer broadcasts. I analyze the content, and to a lesser extent the economic contexts, of two specific match broadcasts from the weekend of November seventh, 2010: A.S. Roma versus S.S. Lazio in Italy and Liverpool FC versus Chelsea FC in England. The goal is to identify structures and themes in narrative formation. Interestingly the two matches feature opposing narratives. The Italian match broadcast privileges the localized passion of the fans in the stadium, while the English match broadcast emphasizes the redemptive story of a key player. By comparing these two very different narrative approaches, I complicate the often mechanistic institutional and economic analysis of soccer’s ever expanding media presence. Drawing from the work of Giulianotti and Castells, I argue that a spirit of cosmopolitanism allows global fans to move beyond market-based identities and creatively adapt global club identification to their own local context. This more aesthetic brand of cosmopolitanism opens the possibility of new avenues for the expression of identity that are limited neither by local historical/cultural nor by market-driven/consumerist dimensions.”
Supplementary materials: Chelsea v. Liverpool Nollywood trailer | Montedio Yamagata supporters sing and choreograph “Blue is the Color”
The Virtualizing Effects of Sports Simulation
Traditionally, the goal of broadcasts of sports on television has been to simulate an “ideal” viewing experience. Cameras are situated so as to recreate for viewers the experience of having the best seats in the house. Most fans, however, will never physically occupied this place; for most, their primary visual experience of sports comes from a different place: video games.
The result is that increasingly, it is through the aesthetic tropes and conventions of video games that fans come to understand and visualize sports. For instance, in many simulation games the camera is disembodied and virtual; rather than presenting the viewpoint of an actor or narrative observer. Figure 1 illustrates this difference in auto racing.
These changes to the collective visual aesthetic conception of sports have had dramatic impact upon the decisions made by broadcasters. While previously the goal of televised virtuality was to “place” the audience at the event, increasingly the goal has been to reproduce the simulated, virtualized place occupied by the camera in video games. Figure 2 compares the camera positions in Madden NFL football and the shot from the “Skycam” during a live NFL broadcast. The result is that reality is increasingly “virtualized” in order to simulate the game world.
While the integration of the video game aesthetic into the dominant media visual aesthetic has been handled ably in previous research, this converse aspect of the process has been largely ignored, and deserves more thorough study. This paper is an attempt to begin such a project
Let the Ball Do the Talk
In recent years youth sporting cultures have started receiving critical attention across disciplinary boundaries. According to Giardina and Donnelly (2008: 9), ‘youth sporting culture has become a battleground of social combatants struggling over the boundary lines of group identity and affiliation, over the very definition of citizenship and belonging’. Significantly, however, the sport practices of young people have yet to receive due critical attention by visual ethnographers and media practitioners. By adopting the visual as a medium rather than an object of analysis (MacDougall, 2006), my doctoral research looks at football, aka soccer, as an arena where “intercultural and transcultural dynamics” (cf. Baumann 1997:15) evolve and where young people can negotiate their individual and collective roles away from the potential restraints of family and school environments. Through textual and audiovisual modalities of representation, this paper will foreground my ethnographically situated doctoral practice with Irish and non-Irish members of two youth football teams – and the adult members of the clubs – in Dublin 15, a residential location with the highest national percentage of immigrant families in Ireland. Using the video camera as a catalytic instrument of inquiry, in my fieldwork I have engaged with questions surrounding the expression of both subjective and collectivized identities among adolescent boys, how sport can create bonds between subjects of different backgrounds or indeed exacerbate cultural differences, and how the insertion of an imaging device shapes and determines the articulation of transcultural exchanges.
Tai is completing a Masters in Sociology at the New School for Social
Research and holds a BA (Honors) in Sociology and Media Studies from
Victoria University of Wellington in New Zealand. Tai’s research
interests include understanding changes in the nature of production and
the consumption of digital media, the political economy of media, as
well as how political and social discourses play out in entertainment.
He works as a researcher at The Harmony Institute a non-profit research
institute for integrating the behavioral sciences with entertainment to
influence positive change, and has previously carried out research for
the Office of Film and Literature Classification in New Zealand.
Panel: Poptacle Illusions: Pop Culture and Spectacle
Tim Rosenkranz is a graduate student at the New School for Social Research and is finishing his MA in Sociology. He also currently works as Public Relations Coordinator for the German National Tourist Office in NYC. Further he holds a Magister in Political Science from the Georg-August-Universitaet in Goettingen, Germany. His research interest is focused on the marketing of nation-states, especially in tourism, and its diverse implications for the mediation of national identity in globalized structures of media, markets and commodification.
Panel: hope@discontent.gov: Political Communication
Tanya Toft received her BA degree in Film and Media Studies from Copenhagen University and is now pursuing a Master’s degree in Media Studies at The New School. Graduating this spring, she has specialized in the interdisciplinary field between media studies, architecture theory and urban planning practices. Her work explores the meeting between new media and the urban environment in projects combining strategic planning with poetics experiments and sociological investigations. She is currently writing her master’s thesis on a rethinking of the possibilities of applying media installations to the strategic development of urban environments in cultural planning practices. Apart from studying, Tanya serves as a Research Assistant for Assistant Professor Shannon Mattern and has interned with the architecture company StudioMDA in Tribeca. She aims to continue her urban media studies with a Ph.d. and, in the future, to develop new practices of improving urban spaces with new media.
Panel: You are (W)Here: Critical Approaches to Mapping